{"id":7104,"date":"2022-01-01T00:00:21","date_gmt":"2022-01-01T00:00:21","guid":{"rendered":"https:\/\/materialinmaterial.org\/wptest2\/?p=7104"},"modified":"2025-05-16T00:11:20","modified_gmt":"2025-05-16T00:11:20","slug":"paulo-tavares-en-las-ruinas-del-bosque","status":"publish","type":"post","link":"https:\/\/materialinmaterial.org\/en\/paulo-tavares-en-las-ruinas-del-bosque\/","title":{"rendered":"paulo tavares, en las ruinas del bosque"},"content":{"rendered":"<div data-elementor-type=\"wp-post\" data-elementor-id=\"7104\" class=\"elementor elementor-7104\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-1f9f199 elementor-section-full_width elementor-section-height-default elementor-section-height-default\" data-id=\"1f9f199\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-no\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-95e7399\" data-id=\"95e7399\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-42b64f9 elementor-widget elementor-widget-text-editor\" data-id=\"42b64f9\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>ID et.al.: I4412; Secci\u00f3n: Editoriales Independientes<\/p>\n<p class=\"p1\">\n<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9d87eaf elementor-widget-divider--separator-type-pattern elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"9d87eaf\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\" style=\"--divider-pattern-url: url(&quot;data:image\/svg+xml,%3Csvg xmlns=&#039;http:\/\/www.w3.org\/2000\/svg&#039; preserveAspectRatio=&#039;none&#039; overflow=&#039;visible&#039; height=&#039;100%&#039; viewBox=&#039;0 0 24 24&#039; fill=&#039;none&#039; stroke=&#039;black&#039; stroke-width=&#039;1&#039; stroke-linecap=&#039;square&#039; stroke-miterlimit=&#039;10&#039;%3E%3Cpath d=&#039;M0,6c6,0,0.9,11.1,6.9,11.1S18,6,24,6&#039;\/%3E%3C\/svg%3E&quot;);\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b684311 elementor-widget elementor-widget-text-editor\" data-id=\"b684311\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Colecci\u00f3n prisa mata de Taller de Ediciones Econ\u00f3micas: <a href=\"http:\/\/www.t-e-e.org\/index.php\/prisa-mata\/\" target=\"_blank\" rel=\"noopener\">http:\/\/www.t-e-e.org\/index.php\/prisa-mata\/<\/a><\/p><p>Paulo Tavares<br \/><em>En las ruinas del bosque<\/em><\/p><p>Como dan cuenta una gran diversidad de ejemplos alrededor del continente, la relaci\u00f3n con lo no humano no siempre est\u00e1 marcada por la mirada instrumental que considera a la naturaleza como un recurso. M\u00e1s all\u00e1 del \u00e1rido horizonte monocultural de la agroindustria hay otras formas de producci\u00f3n de la naturaleza que no se basan en la l\u00f3gica extractiva de la ecolog\u00eda-mundo capitalista. De esto dan cuenta, por ejemplo, el manejo de los jardines forestales mayas o los sistemas agroforestales tradicionales de la Sierra Norte de Puebla en M\u00e9xico. As\u00ed mismo ocurre con el manejo a gran escala en la Amazon\u00eda, reconocida como un bosque de origen antr\u00f3pico coproducido por los diversos pueblos que habitan su territorio desde hace siglos. En este ensayo, Paulo Tavares parte de los indicios materiales develados en la selva por la violenta expansi\u00f3n de la frontera agr\u00edcola durante la dictadura militar en Brasil en los a\u00f1os setenta. Estas huellas nos permiten repensar la historia de los conjuntos humanos y su relaci\u00f3n con el entorno. La ruta trazada por Tavares lee el manejo de los bosques como un proceso de dise\u00f1o y nos extiende preguntas por dem\u00e1s urgentes en el presente. \u00bfQu\u00e9 es una ciudad? \u00bfQu\u00e9 es un bosque? \u00bfPodemos codise\u00f1arlos con otres no humanes poniendo al centro la reproducci\u00f3n de la vida toda?<\/p><p>2022<br \/>16 p\u00e1ginas<br \/>21.5 x 14 cm<br \/>Impresi\u00f3n risogr\u00e1fica<br \/>Grapa<\/p><p>\u00a0<\/p><p><a href=\"http:\/\/t-e-e.org\/files\/prisa-mata\/Tavares%20-%20En%20las%20ruinas%20del%20bosque%20(2022).pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>An ordinary man of ancient Egypt named Bai, shown in an attitude of prayer, dedicated an ear stele to the god Amun-Re, the &#8220;beautiful ram&#8221; of the sun, whose three pairs of ears in different colors signify &#8220;one who harkens to supplications.&#8221;<\/p>","protected":false},"author":1,"featured_media":7106,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[113],"tags":[152,164,195,145],"class_list":["post-7104","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-biblioteca","tag-antropoceno","tag-arqueologia","tag-ecologia","tag-naturaleza"],"_links":{"self":[{"href":"https:\/\/materialinmaterial.org\/en\/wp-json\/wp\/v2\/posts\/7104","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/materialinmaterial.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/materialinmaterial.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/materialinmaterial.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/materialinmaterial.org\/en\/wp-json\/wp\/v2\/comments?post=7104"}],"version-history":[{"count":5,"href":"https:\/\/materialinmaterial.org\/en\/wp-json\/wp\/v2\/posts\/7104\/revisions"}],"predecessor-version":[{"id":7292,"href":"https:\/\/materialinmaterial.org\/en\/wp-json\/wp\/v2\/posts\/7104\/revisions\/7292"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/materialinmaterial.org\/en\/wp-json\/wp\/v2\/media\/7106"}],"wp:attachment":[{"href":"https:\/\/materialinmaterial.org\/en\/wp-json\/wp\/v2\/media?parent=7104"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/materialinmaterial.org\/en\/wp-json\/wp\/v2\/categories?post=7104"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/materialinmaterial.org\/en\/wp-json\/wp\/v2\/tags?post=7104"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}